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"I am thinking that the man we saw before going into Kitty's cabin is the murderer!" she says, with a strong shudder. "Alas! Geoffrey has told me everything," says Mona, "That is why I am now seeking for you. I thought, I knew, you were unhappy, and I wanted to tell you how I suffer with you." "The poor fellow is calling for you, Mona, incessantly," he says. "It remains with you to decide whether you will go to him or not. Geoffrey, you should have a voice in this matter, and I think she ought to go.".

Mr Lawrence supped alone as he had dined alone, and, as he intended, to breakfast alone. At sea the last meal which in the old forecastle days consisted of black tea and ship's[Pg 296] biscuit was invariably called supper. At six o'clock Mr Lawrence sat down to the last meal of the day. A tray for the inmate of the Captain's cabin was prepared. It was furnished with tea and milk (for the ship was but one day out, and though she wanted a cow she could not need at least a day's supply of milk), bread and butter, slices of ham and biscuits. When the steward came from the cabin Mr Lawrence said: "Did the young lady speak?"I tried logging in using my phone number and I was supposed to get a verification code text,but didn't get it. I clicked resend a couple time, tried the "call me instead" option twice but didn't get a call either. the trouble shooting had no info on if the call me instead fails.There was He turned back toward the house, then paused as the mellow "whirt-o-whirt" of a quail sounded from the sumach which bordered the meadow across the road. "Old Cock quail," he cautioned softly, "I wouldn't give that covey-call too often if I was you. Joe Scraff jest might hear you. Only note safe fer you to whistle is 'Bob White'—but you won't be whistlin' that till spring comes ag'in."

"Perhaps you would rather rest for a while. Do you know this is the first time I have ever been inside the Towers?" He says this as one might who is desirous of making conversation, yet there is a covert meaning in his tone. Mona is silent. To her it seems a base thing that he should have accepted the invitation at all. When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "Yes?" says Mona, who looks and is, intensely interested. For a moment her Grace hesitates, then is lost. It is to her a new sensation to be taken about by a young woman to see things. Up to this, it has been she who has taken the young women about to see things. But Mona is so openly and genuinely anxious to bestow a favor upon her to do her, in fact, a good turn, that she is subdued, sweetened, nay, almost flattered, by this artless desire to please her for "love's sake" alone..